Saturday, April 30, 2016

A THOUGHT FOR THE DAY TO PONDER

Excerpted from 

Fin de siècle Vienna Politics and Culture

Carl E. Schorske

The historian seeks rather to locate and interpret the artifact temporally in a field where two lines intersect. One line is vertical, or diachronic, by which he establishes the relation of a text or a system of thought to previous expressions in the same branch of cultural activity (painting, politics, etc.). The other is horizontal, or synchronic; by it he assesses the relation of the content of the intellectual object to what is appearing in other branches or aspects of a culture at the same time. The diachronic thread is the warp, the synchronic one is the woof in the fabric of cultural history. The historian is the weaver, but the quality of his cloth depends on the strength and color of the thread. He must learn something of spinning from the specialized disciplines whose scholars have in fact lost interest in using history as one of their primary modes of understanding, but who still know better than the historian what their métier constitutes stout yarn of true color. The historian's homespun will be less fine than theirs, but if he emulates their method in its making, he should spin yarn serviceable enough for the kind of bold-patterned fabric he is called upon to produce.

Friday, April 29, 2016


VIENNA 1900

An exhibit from 1911. The Neue Galerie is pleased to present an exhibition entitled Vienna 1900: Style and Identity. The show, curated by Christian Witt-Dörring and Jill Lloyd, aims to reveal a common thread running through the fine and decorative arts in turn-of-the-century Vienna: the redefinition of individual identity in the modern age.

Major works by fine artists Gustav Klimt, Oskar Kokoschka, and Egon Schiele are on view, as well as furniture by architects Otto Wagner and Adolf Loos, and decorative artists Josef Hoffmann and Koloman Moser. A special emphasis is placed on fashion, with loans of key clothing and accessories from the period. The exhibition also explores the overlap with new attitudes towards gender and sexuality that surface in Viennese literature and psychology at the time.

Neue Galerie Exhibition Vienna 1900




How Vienna in 1900 Gave Birth to Modern Style and Identity - Big Think



The documentary with Maestro Seiji Ozawa and the Seiji Ozawa International Academy Switzerland 

Thursday, April 28, 2016

Below find a wonderful article on the music of Boulez. Part of a series on "modern classical music."

Pierre Boulez & Ensemble Intercontemporain rehearse in London, October 2011


The Guardian - A Guide to Boulez's Music

The full series may be found below.


The Guardian series on contemporary classical music.

And NPR on the topic.


NPR Deceptive Cadence

French composer and conductor Pierre Boulez, photographed in Salzburg in 2011.